Cao Fei’s film ‘Whose Utopia?’ is not new, made in 2006 it does however make a new impact on its new context, screened in a darkened space at the heart of Tate Modern’s ‘Poetry & Dream’ department which features many, mostly male practitioners of Surrealist painting.

Cao Fei is neither male nor a Surrealist, nor does she emerge from European history of art but is one of the best known of the recent wave of Chinese artists impacting on the world art stage since the start of this century.

You’ve seen a lot of art this week, Modernism, Postmodernism and Contemporary Art as you continue, and bring to a close your Summer School while touring London’s museums and galleries with a host of students, but when it comes to Blogging time it’s Cao Fei’s film that stands-out strongly and clearly in your mind as deserving your attention and your (approximately)…